Editorial illustration on systemic relational approach and how
the internalized models can be repaired through therapy.
To learn more please visit psicoterapia.com
Gelato
A story telling about the difference between gelato and ice cream.
Refugee
International refugee crises threaten millions of innocent victims who happen to live in the wrong place at the wrong time.
Pool Time
Pausa
A coffe break homage.
Jump
An illustration freely inspired by my very personal skydiving experience.
Pesci
A never-ending obsession with fish.
Taxi Flings Take a Back Seat to Uber - The New York Times Thursday Styles
A visual comment on the strange erotic power of the New York taxi.
Art Direction by Bernadette Dashiell
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Prague
A work about a magic encounter in Prague.
A solo show
Portrait of musician Gavin Dunaway playing his first solo show at Bar Matchless in Brooklyn.
Why We’re So Mad at de Blasio - The New York Times Op/Ed
Business Travel Required
Editorial illustration about traveling for business.
Imagination is Funny
Frame from a storyboard for a short movie inspired by the life of Chet Baker.
Things Cooks Know
Editorial illustration about cooks and their culinary secrets.
Your Body On Sugar
Editorial illustration about cakes.
Doping in Sports
Editorial illustration about doping in sports.
Surviving a Snake Bite
Editorial illustration abut girls and snakes.
Spa
Girls at the Spa.
The Destruction of Mecca - The New York Times Op/Ed
This is an Op/Ed on Mecca and how the modern architecture has erased its significant ties to its history and culture.
Art Direction by Matthew Dorfman, Steven Attardo
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Tiananmen, Forgotten - The New York Times Op/Ed
This illustration has been selected by the Society Of Illustrators on Illustrators 57 Exhibit and Book.
On the 25th anniversary of the Tianamen Square massacre, this Op/Ed piece suggests many modern 20-somethings in Beijing and elsewhere in China feel un-tethered to the turmoil of that time – to the point of being numb to its history and significance. The author suggests the government's deliberate blocking of sensitive information and censorship in school programs has lead to a generationally distorted perception of that moment's significance. Many young Chinese living in China don't understand why they're supposed to care.
Art Direction by Matthew Dorfman
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Unhitched - The New York Times Sunday Styles
Unraveling, in Slow Motion - The New York Times Sunday Styles
A Q&A of a couple that have divorced.
Banned in Bangalor - The New York Times Op/Ed
This illustration accompanied author Wendy Doniger’s reaction to her Indian publisher’s destruction of her book that posed an alternative history of the Hindi – it was censored in India by right-wing activists employing an obscure and ancient law. Thanks to ebooks, the censorship was unsuccessful, and the piece reads as an ultimately optimistic riff about how voices—both good and bad—can no longer be silenced in the age of the Internet.
Art Direction by Matthew Dorfman
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Jamie Magazine by Jamie Oliver
Illustration for Jamie Magazine on Piemonte region culinary traditions.
Editorial co-ordinator Suzanne Pronk
The Dark Side of The Sharing Economy
Illustrations for ACM - Association for Computing Machinery -
on The Dark Side of The Sharing Economy and How to Lighten It.
Art Direction by Margareth Gray
The Dark Side of The Sharing Economy
Illustrations for ACM - Association for Computing Machinery -
on The Dark Side of The Sharing Economy and How to Lighten It.
Art Direction by Margareth Gray
The Destruction of Mecca - The New York Times - Op/Ed
This is an Op/Ed on Mecca and how the modern architecture has erased its significant ties to its history and culture.
Art Direction by Matthew Dorfman, Steven Attardo
Read the full article
Broken Promises - The New York Times Op/Ed
This article is about the consequences that the U.S. budget sequester has had on the poorest of Native American reservations. The piece begins with a heartbreaking comment from a young girl living on the in South Dakota; when asked what she wants for Christmas, she answers: “Electricity, so I read my school books at night.” Although the rest of the article is very articulate in expressing the
consequence or the sequester, this first line
stuck in my head, and I translated it into
the visualization of the article.
Art Direction by Matthew Dorfman
Read the full article
Je Suis Charlie
Editorial Illustrations